This is a part two of sorts, a lengthy manifesto of what I take art to be and how it changes along the lines of the unfolding present. Words will be spoken of my opinions on the digitization of all human properties and how it hinders truthful perception, as well as serve as a gateway for the production of an overflow of “meaningless” artworks. To aid my hypothesis, I will reference artists from the 1960s, such as Andy Warhol and even Marshall McLuhan, and juxtapose them with examples of contemporary art.
Read more "The Art of Repetitiveness"